This 1-hour piano meditation is a continuous, sequential journey exploring the musical and energetic movement of the Gurdjieff Enneagram. Designed as a singular experience of tonal transformation, the music follows the unfolding "Law of Octaves" from beginning to end.

To preserve the intended meditative flow and the internal resolution of the octave, I recommend listening without interruption or skipping.

The Visual Map The video features an original, authentic drawing by J.G. Bennett, illustrating the Law of Octaves. This rare visual guide serves as a silent anchor for the music, mapping the intersections and intervals of the Enneagram as the tones evolve.

Experience the full journey of the octave in one unbroken movement.

score video: https://youtu.be/RXfAYS48UpE?si=rZFboZJgG9AC3PFQ

An old work of mine(2024), re-orchestrated. It’s on the play Antigone, you can see there are lots of themes and melodies re-used over and over again representing the key points in the play(kinda like leitmotifs of Wagner but not as direct).

Now, my recent works are not this Romantic but still have a similar harmonic language.

https://apondinthestream.bandcamp.com/track/after-then-before

An ambient post-classical (?) track taken from a renaissance piece by Bauldeweyn. The notes of the original were permuted, shuffled about and reordered without adding any new ones. I actually reduced it back by taking some notes out that I didn't like. So it is a bit of a selectionist strategy, like in evolution.

Only the fittest notes survive :)

Hio! I’m a software/game developer, not a trained composer or particularly accomplished pianist. I wrote this mostly by ear and MIDI experimentation, so I’m sure there are things I don’t have enough experience to notice. I need it to be actually good though for a project I'm working on.

Audio — MP3

Score — PDF

Pachelbel’s Keygen — Ascent to Elevation 100 is a solo-piano piece built on the ground from Pachelbel’s Canon. It progresses through a series of increasingly elaborate eight-bar “elevations,” adding canon, inversion, mirrored figures and denser counterpoint before reaching a deliberately excessive summit and then destabilizing.

The escalation is part of the concept, but I don’t want that to excuse weak writing. I’d especially appreciate honest feedback on:

• whether the later sections actually develop the material or just add notes;
• harmony, voice leading, counterpoint or notation that seems unintentionally wrong;
• awkward or implausible piano writing;
• obvious musical opportunities I failed to take advantage of;
• whether the ending feels earned.

The audio is a synthetic performance I rendered in Reaper from the raw MIDI (since probably only five humans on the planet could play this), so I’m mainly interested in the composition itself. Please feel free to be direct—measure numbers and concrete suggestions would be extremely helpful.

THanks!

Lately I've been trying to learn to compose for orchestras, and fantasy is the genre that I like the most I think. This is my music I have made for some fantasy film idea, I'm waiting for feedbacks.

https://www.youtube.com/watch?v=MdR0Ah4wKvw

hello all, I have made an aleatoric generator, I tend to write a lot aleatoric and I always missed an actual tool that lets me create svg easily, I am not a fan of figma (similar software) I kept making different version of this tool to help me with notation, and I think it's a quite nice tool right now, I am not exactly the best at coding, but It work fine,

if you would like to use it https://pio008.github.io/aleatoric-vector-studio/
any feedback or help with the code it's welcome

hello all this is I think my first post in the subreddit
I wanted to share my latest work, a piece for symphony orchestra,
I believe this is one of my best piece for orchestra that I wrote for now,

https://www.youtube.com/watch?v=K3u-4q3nrF0

A little prelude, I would be very grateful for critiques, both on the music and the performance.
audio (flac)
score (pdf)
Thanks in advance!

Hey everyone, this is the fourth track in a series of compositions depicting my worldbuilding in musical form. This one depicts the act of Creation itself by the Creator in this worldbuilt setting. While there are 3 main motifs that recur in the piece (the three that occur one after the other at the very start with the solo cello), it also contains a variety of short motifs that later pieces will each expand upon.

I tried out a few different techniques here that may not be fully practical for harp/vibraphone/strings, so please let me know. I included the col legno on strings and the harp tremolos because of their sound, but if this was practically being performed, I’d try to find some suitable replacement or other technique that makes a similar sound ideally.

Audio Link (slightly better quality than audio in score link):

https://youtu.be/BppJmV7U0jQ

Score Link:

https://musescore.com/user/40140738/scores/34250177?share=copy_link

Lore Description:

The birth of the omniverse was a mistake.

Expending the first of its energy, the Creator only aimed to bring another Abstracta into being.

Instead, this process gave rise to existence itself.

Hey!

Heres my latest composition called first sighting. Hope you`ll enjoy it :)

Link to the music: https://www.youtube.com/watch?v=_Ww_B05bbRE

Link to the score: https://musescore.com/user/98772643/scores/35069021

Hi! I composed this waltz inspired by Tchaikovsky's Album for the Young, Op. 39 (that I am currently learning at the piano). The form is ABA', with A being the main waltz theme and B a slower lyrical section in Cmaj.

Hope you enjoy it and any feedback is welcome! Thank you!

Score video: https://www.youtube.com/watch?v=umGm8TjNgXM

I’ve levelled plenty of criticism at the industry of new music in the UK, but can I put my money where my mouth is and design a meaningful solution?

Hello everyone!

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Using OpenUtau and Kasane Teto's voicebank for some cool vocals in between the heavy synthwavey and electronic I've made a 15 minute long song based around space/cosmic horror and space operas.

Hello there I have written a composition called Nick and Charlie’s Love Theme op. 2 I would like to have some feedback as to improve the work and improve my composing skills. I would like to remind people I am autistic and have a lack of music theory. Below is the link to the audio, also it was composed via Musescore4 so it was uploaded on YouTube.

Fabrisio Flayfel - Nick and Charlie's Love Theme Op 2 In G Major (Original Composition)
https://youtu.be/DONmz7ntCFg

Please give me advice, feedback and suggestions on how to improve my music writing. Thanks. It would help. Please be kind.

A guide to composing by Dr. Edward Caine, BA(Hons).MA.PhD.BSC.SSC

Hi everyone,

I’m sharing a new track from my Velatura project called Cracked Halo.

It’s a dark trip-hop / noir piece built around a small studio-band feel: drums, bass, piano, and subtle electronic textures, with an intimate low-register vocal.

The song is about fragility, healing, and finding a safer place to rest.

I’d really appreciate any thoughts on:
• the atmosphere,
• the vocal delivery,
• and whether the arrangement feels cohesive.

Thanks for listening.
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I'm writing a third work: a romanza, a fan work inspired by Stranger Things. Jonathan from the show and Eli, an oc that is from a fanfic that i am currently working on.

I wanna ask how can i make the piece sound more fluid and less complicated. I am neurodivergent and an amateur composer with a lot of music theory, and whatever music theory I have comes from high school, which was over 14 years ago. I retained that much information because of choir. I attended choir for four years during high school, and whatever I was taught is what I have retained. Other than that, it is all self-taught. Any advice would be so helpful. Please and thank you. Much appreciated.