In my research into ancient music, I realized there came a time when the works were more often for voices alone.
It started with the discovery of the songs and chants of Abess Hildegard von Bingen.
A long musicoloogic journey followed from the oldest sources and works that are included in the classical repertoire.
The biggest turning point for me was to suddenly have access to composing and experimenting with my own works thanks to the computer and the existence of limitless, professional Digital Audio Studios and all the immense wealth of related equipment and instruments.
As It was for classical contemporary music, Stockhausen was my inspiration and model for the electroacoustic techniques, semi aleatoric approach for performers ,a different musical notation centered around atonality, serialism, sound spectralism and spatiality, symmetrical proportional inversions for many sections playing together.
The magic ingredient was inspirational guidance and a good ear to keep all under control and using but the most refined, raw , intuitive and spectral sounds.
I composed many works, I was in Soundcloud for years, lost about half of my works but have preserved 107 works I transferred them into YouTube and after years of free sharing, I intend to sell on Bandcamp .
If you are into ancient music, from ancient Greek antiquity down to the most abstract and experimental, I strongly suggest you check me out with the link in my profile.
Some works are short-others last up to over an hour .
I have also experienced with electronic music and synthesizers.
I leave you with the link to my work "Gradual Recollection" for female polyphony, brass, flutes, percussion and various taped sounds resulting in an experimental ambience with compelling DDramatic intensity.
https://youtu.be/0dyF6Gu-GDE?si=CDxRrWXDTYclNmJV
