I think Insomniac (for the most part) has done a really good job with the designs of their adapted characters. The more tactical look really works for wolverine considering he's basically a veteran/soldier

From X-Men: the Hellfire Murder #1 which just released

I love dadverine lmao.

https://ew.com/marvels-wolverine-liam-mcintyre-scared-to-go-all-out-exclusive-12024170?taid=6a60f946d8ae2a0001d59bc4&utm_campaign=trueAnthem%3A+New+Content+%28Feed%29&utm_medium=trueAnthem&utm_source=twitter

I generally do not care about merch. What about new gameplays?

What do you guys think?

I think Yellow M&M is short enough to play Wolverine but his face doesn't convince me much...

SEASON 2 –

• Core tone: Gritty WWII blues; St. James Infirmary as your anchor track.

EPISODE 1: THE LONG WAY HOME

1940, Western Front

• Logan & Victor fight as one unit — no orders, only each other.

• Flashbacks show 1920s–30s drifting: Victor gets more reckless, but still looks fully human — just harder, wilder.

• First crack: Logan stops to aid wounded; Victor wants to press the attack. “Softness will get you buried, James.” “We don’t leave people behind.”

• Victor’s shift: Only sign — his fingernails grow faster, harder, and won’t break.

• Music: St. James Infirmary slow; It Hurts Me Too by the fire.

EPISODE 2: SHADOWS OF THE REICH

1941, North Africa → Madripoor

• Hired to dismantle Hydra’s enhanced‑soldier tests.

• Victor enjoys the fight too much — lingers too long, but never loses control around Logan.

• Victor’s shift: His jaw sits a little heavier; his senses are sharp enough to smell gunpowder through walls.

• Music: Smokestack Lightning low and thrumming.

EPISODE 3: SHIELD AND CLAWS – PART 1

1942, Madripoor

• Cross paths with Steve Rogers & Bucky. Cap sees two dangerous unknowns; Logan sees a man who still believes the world can be fixed.

• Victor mocks Cap’s ideals — “You fight for flags. We fight to survive.”

• Victor’s shift: His canines look just a little longer when he smirks.

• Music: Rising tension like Rusty Cage building slow.

EPISODE 4: SHIELD AND CLAWS – PART 2 – THE BRAWL

1942, Madripoor Docks

• Orders get twisted — Logan is told Cap is a threat; Cap thinks Logan is a Hydra asset.

• THE BRAWL: Shield smashes claws; sparks fly off vibranium. Neither holds back; neither can finish the other. They only stop when Hydra opens fire on both sides.

• Cap: “You’re not like them.” Logan: “I’m not like anyone.”

• Victor watches from the shadows — impressed, not interfering.

• Victor’s shift: His movements are smoother, more predatory — like he’s always coiled to strike.

• Music: Rusty Cage full roar; fades to quiet cello.

EPISODE 5: PRISONERS OF WAR

1943, Eastern Front

• Captured; Hydra tests their healing factors. Logan clings to his humanity; Victor lets the rage carry him through.

• THE MAGNETO TEASE:
A young boy (Max, ~14) carries metal pails past their cell. He pauses, eyes fixed on Logan’s healing cuts.
Max: “It doesn’t hurt you… does it?”
Logan: “Only the parts they can’t see.”
Max: “They hurt me too. Even when I don’t touch them.”
He glances at the iron bars — they hum faintly, then go still — before he’s hurried away by a guard.
• Victor’s shift: His skin heals with a faint, silvery sheen — only visible in direct light.

• Music: The Mercy Seat instrumental; cold metallic hum for Max’s moment.

EPISODE 6: NORMANDY – THE DYING LIGHT

June 1944, D‑Day

• They fight side‑by‑side through the surf. Logan saves whoever he can; Victor clears the path with terrifying efficiency.

• Night by the fire: “You’re changing, Vic.” “We have to change, James. Or we die.”

• Victor’s shift: His hair grows thicker along his forearms and knuckles — easy to brush off as dirt or fur, but it’s permanent.

• Music: Stripped Carrickfergus; Lili Marlene fading on the wind.

EPISODE 7: THE DEVIL YOU KNOW

1945, Alps Fortress

• Raid a lab holding files on “abnormal subjects” — the first time Logan hears the word mutant.

• Their handler orders Victor to kill Logan. Victor hesitates… then kills the handler instead. “Nobody gives me orders.”

• Victor’s shift: His brow ridge thickens just slightly — barely noticeable unless you’re looking close.

• Music: The Man Comes Around slow and inevitable.

EPISODE 8: ASHES AND BROTHERHOOD – FINALE

May 1945, War’s End

• The guns fall silent. Logan & Victor stand on a ridge — still brothers, but drifting apart.

• Final promise: “Whatever you become… don’t let it make you forget me.” “Never.”

• Victor’s state: Still looks mostly human — harder, wilder, sharper around the edges — but nothing close to the beast he’ll become.

• Post‑credits: Young Charles Xavier reads reports of “unusual soldiers” and a boy in Poland who “speaks to metal.”

Here's my progress so far.