https://ew.com/marvels-wolverine-liam-mcintyre-scared-to-go-all-out-exclusive-12024170?taid=6a60f946d8ae2a0001d59bc4&utm_campaign=trueAnthem%3A+New+Content+%28Feed%29&utm_medium=trueAnthem&utm_source=twitter

From X-Men: the Hellfire Murder #1 which just released

I love dadverine lmao.

What do you guys think?

I think Yellow M&M is short enough to play Wolverine but his face doesn't convince me much...

I think Insomniac (for the most part) has done a really good job with the designs of their adapted characters. The more tactical look really works for wolverine considering he's basically a veteran/soldier

SEASON 2 –

• Core tone: Gritty WWII blues; St. James Infirmary as your anchor track.

EPISODE 1: THE LONG WAY HOME

1940, Western Front

• Logan & Victor fight as one unit — no orders, only each other.

• Flashbacks show 1920s–30s drifting: Victor gets more reckless, but still looks fully human — just harder, wilder.

• First crack: Logan stops to aid wounded; Victor wants to press the attack. “Softness will get you buried, James.” “We don’t leave people behind.”

• Victor’s shift: Only sign — his fingernails grow faster, harder, and won’t break.

• Music: St. James Infirmary slow; It Hurts Me Too by the fire.

EPISODE 2: SHADOWS OF THE REICH

1941, North Africa → Madripoor

• Hired to dismantle Hydra’s enhanced‑soldier tests.

• Victor enjoys the fight too much — lingers too long, but never loses control around Logan.

• Victor’s shift: His jaw sits a little heavier; his senses are sharp enough to smell gunpowder through walls.

• Music: Smokestack Lightning low and thrumming.

EPISODE 3: SHIELD AND CLAWS – PART 1

1942, Madripoor

• Cross paths with Steve Rogers & Bucky. Cap sees two dangerous unknowns; Logan sees a man who still believes the world can be fixed.

• Victor mocks Cap’s ideals — “You fight for flags. We fight to survive.”

• Victor’s shift: His canines look just a little longer when he smirks.

• Music: Rising tension like Rusty Cage building slow.

EPISODE 4: SHIELD AND CLAWS – PART 2 – THE BRAWL

1942, Madripoor Docks

• Orders get twisted — Logan is told Cap is a threat; Cap thinks Logan is a Hydra asset.

• THE BRAWL: Shield smashes claws; sparks fly off vibranium. Neither holds back; neither can finish the other. They only stop when Hydra opens fire on both sides.

• Cap: “You’re not like them.” Logan: “I’m not like anyone.”

• Victor watches from the shadows — impressed, not interfering.

• Victor’s shift: His movements are smoother, more predatory — like he’s always coiled to strike.

• Music: Rusty Cage full roar; fades to quiet cello.

EPISODE 5: PRISONERS OF WAR

1943, Eastern Front

• Captured; Hydra tests their healing factors. Logan clings to his humanity; Victor lets the rage carry him through.

• THE MAGNETO TEASE:
A young boy (Max, ~14) carries metal pails past their cell. He pauses, eyes fixed on Logan’s healing cuts.
Max: “It doesn’t hurt you… does it?”
Logan: “Only the parts they can’t see.”
Max: “They hurt me too. Even when I don’t touch them.”
He glances at the iron bars — they hum faintly, then go still — before he’s hurried away by a guard.
• Victor’s shift: His skin heals with a faint, silvery sheen — only visible in direct light.

• Music: The Mercy Seat instrumental; cold metallic hum for Max’s moment.

EPISODE 6: NORMANDY – THE DYING LIGHT

June 1944, D‑Day

• They fight side‑by‑side through the surf. Logan saves whoever he can; Victor clears the path with terrifying efficiency.

• Night by the fire: “You’re changing, Vic.” “We have to change, James. Or we die.”

• Victor’s shift: His hair grows thicker along his forearms and knuckles — easy to brush off as dirt or fur, but it’s permanent.

• Music: Stripped Carrickfergus; Lili Marlene fading on the wind.

EPISODE 7: THE DEVIL YOU KNOW

1945, Alps Fortress

• Raid a lab holding files on “abnormal subjects” — the first time Logan hears the word mutant.

• Their handler orders Victor to kill Logan. Victor hesitates… then kills the handler instead. “Nobody gives me orders.”

• Victor’s shift: His brow ridge thickens just slightly — barely noticeable unless you’re looking close.

• Music: The Man Comes Around slow and inevitable.

EPISODE 8: ASHES AND BROTHERHOOD – FINALE

May 1945, War’s End

• The guns fall silent. Logan & Victor stand on a ridge — still brothers, but drifting apart.

• Final promise: “Whatever you become… don’t let it make you forget me.” “Never.”

• Victor’s state: Still looks mostly human — harder, wilder, sharper around the edges — but nothing close to the beast he’ll become.

• Post‑credits: Young Charles Xavier reads reports of “unusual soldiers” and a boy in Poland who “speaks to metal.”

I generally do not care about merch. What about new gameplays?

Here's my progress so far.

Isn't he Canadian? Shouldn't he dress like a mountie?

​

https://aiptcomics.com/2026/07/21/punisher-showdowns-wolverine-black-widow/

It's finally finished. Ever since my last stroke, I've had some cognitive impairments. Building this Set challenged my brain, but I persevered. I am quite proud of myself.

From Marvel Swimsuit Special

We’ve come a long way since the black leather

The movies show his bone claws looking like long finger bones, which made no sense to me for his claws to look like that and then post adamtium they look like, well claw claws. Do the comics depict them as such or are they just like the metal ones, only bone, thats the only way i can see the bone claws turning into the metal ones working logically? Hope that makes sense