Just curious how people feel about this lens. Got it for $150. AF works, glass is clean. Noisy as hell but it works.

z6iii with 28-400

I'm using a Nikon coolpix P1100, and for some reason it has the flash on and its ruining all my photos during the night. I have tried everything to turn it off but it just wont. I tried to take a photo of the moon and I heard that flash is disabled in that mode, but it still was on! Please, if anyone has any idea how to fix this, let me know. It's my first camera.

Still deciding how I want to edit these sunset shots but I didn’t want to end up just sitting on them and then forget to post them. All the dust in the air near the horizon makes it tricky but it kind of comes with the territory photographing a monsoon.

So recently my father passed me his old Nikon d80 and sortly after I realised that it was broken. Its my first time diving into this topic of full sized cameras and I am a bit confused by naming of cameras. I need to buy something with good image quality and I'm trying to find something as cheap as possible because soon I will go to the trip with my family and I want to use it as a practice. Maybe there is some advices?(Also I already have 2 optics from the old camera on Nikon f bionet so there is no need for new ones. I just need best I can get for around 100-150 $.)

Hey folks,

I've tried to do some interval series today and have come across and issue but can't figure out what's going on. The series keeps ending well before it should, despite having a full battery, trying with power delivery from a strong battery, a nearly empty SD card, intervals much longer than the exposure time, and all the other settings being consistent with what I've used in the past without any issues.

Is there any way to see why a series ended early? It would be lovely if there were an error log or something that told you why an action ended early.

Thanks for any ideas!

this lens is really light , was expecting bit heavier due to its metal construction. as for pics needs to decide after a while how good they are.

So.. a few weeks ago i sent my trusty Nikon D750 to nikon for the free Shutter/Exposure problems free repair..

My camera had the issue where it would randomyl over/under expose images by 1/3rd.. so i started googling and found out about the recall.. so i figured since its free, might as well send it..

So i sent it to nikon.. waited a couple of weeks and got it back..

According to the invoice they sent with the camera.. they replaced shutter mechanism.. grip unit.. front body.. card cover..
and also a bunch of cleaning, adjusting and checking..

i was very pleasently surprised with all the things they mention they did...

So i was really happy when i got the camera and all.. and the camera looked literally brand new.. the grips and everything looked amazing..

But.. now after a couple of photoshoots ive done.. i noticed that the camera is experiencing the same problem with exposure... some pictures are slightly over/under exposed.. even with Studio type photoshoots with controlled lighting and all.. some photos are just slightly over/under exposed.. just like before..

So what should i do next? Should i send it back again? can i even do that?

anybody has any experience with this issue? did they fix it at first try? or did you have to send the camera back multiple times?

Genuinely curious of what’s next, will Nikon be adding compression to the ZR for better files sizes or are we looking at a new Nikon/R3D camera drop soon this year?

I'm unsure about the Tokina AF 100-300mm f/4 AT-X, I don't know if its image and optical quality are good. I've also heard that it has AF issues, is that true?

My copy is 1.6.1 but I think there are newer versions. When I went to update, it opened Message Center 2 and then said, MC2 was no more! What a mess Nikon!

Hi, I’ve been having issues with my camera’s (D750) exposure recently and I’m a beginner in photography, and I can’t quite figure out what it is. I’m unable to brighten my photos at all by raising the exposure compensation, and the photos come out darker than what they should be in the lighting they’re in. I’ve mainly done wildlife photography, it wasn’t until about a week ago that I changed some of the settings to take pictures of fireworks. But I’m not sure if I messed something up through there.

I’ve heard turning off Auto ISO can fix it, but I have had no problems with it before, and it hasn’t helped and the images still come out dark. I’ve tried checking the metering mode too, but nothing changes either. I’m so lost 😭

He enviado mi cámara D750 al SAT oficial de Nikon Finicon en España. Han reconocido que el número de serie de mi cámara está afectado por el fallo del obturador. Sin embargo, después de varios días sin tener noticias, me comunican que, para cubrir dicha reparación (que, en principio, realizan de forma gratuita), debo reparar previamente varios supuestos daños internos que, según ellos, impiden el funcionamiento de la cámara.
Me envían un presupuesto de aproximadamente 300 euros. Hablo con ellos por teléfono y, además de recibir un trato poco adecuado, intentan convencerme de que la cámara ya llegó en ese estado, que había sido manipulada anteriormente y que presentaba daños incompatibles con su funcionamiento.
PD: Cuando envié la cámara, funcionaba perfectamente y había realizado numerosas fotografías con ella. Sin embargo, ellos afirman que eso es imposible, ya que, según su versión, la cámara tenía piezas desconectadas que hacían imposible su funcionamiento.
La envié únicamente para subsanar el fallo del obturador, reconocido por Nikon para este número de serie. En conclusión, la respuesta que me dan es que o bien acepto el presupuesto y reparo esas supuestas averías para que, posteriormente, me cambien el obturador de forma gratuita, o bien me devuelven la cámara sin reparar, convertida, según sus propias condiciones, en un auténtico pisapapeles.

Me veo en la obligación de pronunciar por aquí por si puedo ayudar a alguien que se vea en mi misma situación, ya que el que se ha quedado sin camara soy yo.

Un saludo

I'm a longtime film shooter on a Nikon FE looking to pick up a digital camera and am in a dilemma about what's worth investing in. I currently have a set of half a dozen pretty decent manual focus pre-AI and AI Nikkor lenses, and am trying to decide whether to grab a body that could take advantage of this glass I have, or if I should just make the jump to a new system and leave the old lenses to the film camera.

Most of what I shoot is nature/landscape stuff (not so much wildlife), but I also do some portraits and news stuff -- I'm a writer and would love to be able to take quality photos of stories I'm working on. I almost never need/use anything longer than 50mm.

Options I've looked at are the Sony Alpha series, cheaper Nikon Z series (Z50, Z5), and Fuji's XT-20s and the like. Fujis appeal to me to the extent that I find editing somewhat tedious. Not opposed to investing in one quality prime lens, or something like an 18-55.

Something lightweight that I can take on hiking and backpacking trips is also a plus.

I'd love to spend between $500-700, if possible.

Nikon Z7 24-70 f4

Helping my partner get a super telephoto lens, we can't decide which would be better. They are both similar in price (the 200-500 being use tho)

Also if you have had the Tamron, does it work well? I had the 70-300mm for a while and enjoyed it but found the autofocus worked worse than my nikon glass and it made my camera start up time take longer. Are there similar issues with the 150-500?

And if you have other suggestions, she was looking at the 500mm PF but the cheaper ones are all in bad condition

Found a deal on fb marketplace for a 5000 shutter count z6, 35mm 1.8f s, and 24-70mm f4f s for 1170 bucks. They're all in excellent condition.

Also includes a 64gb cf express card

Is that a good deal?

I'm new to photography and I want a new lens I just want more zoom so will the Nikon AF-S 18-105 f 3.5-5.6 G ED fit my d5200?

Nikon ZR for photography.

I know this has been discussed a lot on this platform and I found those discussions extremely helpful for my own decision to buy the Nikon ZR entirely for photography. This is why I also wanted to share my own experience.

For context, I come from film photography. I have about six film camera bodies and I also own a Nikon D750, so am familiar with Nikon handling and menu system. My objective with the ZR was to obtain something uncomplicated, by comparison to film, with the latest tech to simply get things done when I want to. The idea was for it to be really complementary, allowing me to stay in my film-like thinking process while expanding my horizon with things like flash or changing lighting conditions more conveniently.

Let me first go through all the little bits of criticism which I had found about the camera during my research before I bought it.

• No viewfinder: Well, that's obvious. For my style, I believe I get better pictures if I can visualize a scene on the monitor and the monitor is excellent. So no problem there. I also did not originally like the flip-out screen, but I find it in many situations convenient to lift the camera and not even have to flip it out then. Hence also this is no problem.
• 1/60th sync speed for flash photography: I actually quite wanted the camera for simpler flash than on film. The 1/60th is the same as on my Leica M2, so I am a bit used to that. I normally shoot flash in dark scenes and street. So again, this is not a problem for me.
• Small grip: Again, coming from a Leica M2 with no grip at all, I really do not see a problem. I have quite large hands and I can hold the camera for long periods. Granted, I am not a wedding photographer and rather go for few sporadic shots. In addition, I normally use small lenses.
• Small rotating dials: Not sure if I would have noticed this had I not read it in the reviews. It is true, these are smaller, by comparison to the D750, for example, but I really did not find this a practical concern. You get used to it after about 30 seconds.
• Switch on button on the left. It is true that the camera cannot be operated one-handed, so you should not think of it as the equivalent of a Ricoh GR. I am not sure where else you would put that button and I have no problem with it. What is great is that the camera switches on very fast. I typically lift it with both hands while simultaneously pressing the on-button on the left.

After a few weeks of usage, here's a few points which I thought worked really well for me personally:

• Size and feel: fantastic, only a rangefinder could make it even better. This was quite important to me as I feel quite spoiled from the look and feel of the M2 or Nikon F3. Another key aspect for me was that the camera would fit easily into my rather small shoulder bag, as I am not the kind of person running around with a camera backpack.
• Nikon menu system: It gives you this BMW feeling as everything is very well thought out and convenient. You will have to invest a bit of time to get your head around it and, to be fair, I am still struggling with tiny bits like using the front button to control ISO without toggling. There are so many ways to access the functionality you need very quickly. This includes the concern some people raised about the relatively few function buttons. Again, I come from a very minimalist setup and if you plan this out well, I prefer having fewer buttons.
• Lens versatility: I have a large collection of Nikon AI-s vintage lenses at home and love how all of them fit onto the ZR. I am using the Urth adapter, which I believe makes even the AF-D glass look fantastic on the camera, which is quite a feat. The AI-s lenses are simply beautiful (and a delight to handle with focus peaking) as ever.
• Flash photography: This was one of the key objectives and I feel it works really well. I very much like walking around with a Godox X3 mounted on top of the camera, which is so small that you can just leave it on. You then just drop the flash in your pocket and pull it out quickly to shoot. The large screen enables fine-tuning easily, which is great.
• In-camera photo organization: The fantastic screen makes it easy to delete and rate pictures when you are traveling on the plane or on a bus. This is so much better than arriving back home with such a load of pictures you don't even want to start downloading. I prefer to do any real editing on a computer, so cannot speak about those possibilities.
• Connectivity: While I like the idea of a modern connection to mobile phones and computers, I normally lack patience with Wifi and insist on using only the Bluetooth connection in the background. While the Snapbridge app is far from perfect, this works surprisingly well for me, transferring images seamlessly after some initial fumbling around. Finally, I can catch up with my $3,000 tech with the abilities of my kids' mobile phones.
• While I have not used this extensively, I also very much like the ability to play around with different wide and squared image formats. Much simpler than buying a medium format or an XPan.
• I bought this on Cotsworld in Europe. Great price, no problem with delivery.

Limitations:

• Adapters are still not trivial. I was struggling with the K&F adapter for another Voigtlaender M-mount lens, which I felt even if I had managed to screw the pieces together -- which I didn't -- it would not have looked like it aesthetically fits onto the body.)
• Another thing that slightly surprised me was the size of the camera even with small AI-s vintage lenses attached. The adapter is quite long really, making the overall combination bigger than I might have expected. Not a huge deal, but again, don't think of it as the equivalent of a Ricoh GR or as meaningfully pocket-able.
• Another practical limitation previously mentioned online is that during street scenarios the massive screen makes me more obvious than I am used to, especially at night.
• I also got the 24-120 zoom with the camera as a do-all option. Surely technically perfect, and of acceptable size, but I am simply not used to it and have yet to fall in love with the digital style that comes out. I find this much less of an issue for black and white.

In summary, it seems to me that none of these things I was mentioning above at the end of the day matter very much when, like me, you have other bodies and only use the ZR for a specific purpose. To be honest, the biggest question mark for me comes from the sheer transition from film to digital. While occasionally good pictures come out, that is, as always, surprisingly hard. I still have to wrap my head around developing a style that consistently works for me in the digital context.

Who knows, maybe one day I will even try to make a video with it.

I'm always looking thru FB marketplace and someone have up for sale a Nikon af-d 70-180 4.5-5.6 for $400. Its not often u see that model f/s not that i'm interested in it but if I did spend that amount of money let me go with the 70-200 2.8 af-s II or even the 80-200 af-s II 2.8 version.

Would this lens be a buy or past for you?