I swear I can’t be the only person that’s noticed this. Almost every show I’ve seen announced online, ATLiens is almost always the direct support artist playing right before Excision. It’s honestly getting a little redundant. They’re great, they’re all talented. It’s just confusing. I noticed this first in the winter of 2024, and it just kept happening so I figured I’d start a discussion about it. This is in direct reference to the “HEX” event being announced in Arizona

I love older heavy brostep tracks but I feel like I have difficulty finding heavy dubstep playlists with newer tracks (the last 5 years) without running into a wall of riddim, which I don’t really love. Are there any playlists on Spotify that focus on the heavier dubstep sound without focusing so much on riddim?

Underrated Subscape tune 😁

I love the wonky wubz. Give me your best ids, playlist, dj,anything. Wook approved tunes. 😝

I know it's not actually him but i thought it was funny to see

recently got my rig sounding decent while running entirely on a raspberry pi microcontroller. This is recorded directly from the rpi, and uses no plugins or post-processing besides +12 dB and dithering.

Here are some pics of the hardware: https://github.com/Sousastep/SousaFX-rnbo#control_knobs-mobile-hardware

And here's how to install it on a mac or pc if you'd like to try it yourself: https://rnbo.sousastep.quest/v0.11.6/installation/

FEEL A GREAT DISTURBANCE IN THE FORCE👀👀👀👀👀
NEW FREE DOWNLOAD OUT NOW ‼️
Since I started to cookup dubs as seven eleven on 2015 always been the same… make beats to smoke and have a nice time with myself… sharing it always was a way to say “thank you” to the genre itself and of course the people who make it (listeners,supporters, djs, producers, promoters even people who can give us ear casually) is always nice to say thank you to everyone who supported this project no matter how time has passed there’s always a little of love for @sevenelevendubs and that’s phuckin crazyyyyyeee, really don’t even have the words express the gratitude’s so with that said imma just keep grinding dubs for yall so stay waiting on this monthly freebies !!

Hi guys, if anyone knows the name of this one i would be so happy ! starts at 0:11

https://www.tiktok.com/@iliesse_belasri/video/7647858367804804385

i was huge into skream and kode9 and blackmill when i was a kid, but i kinda fell off dubstep in the early 10s. lately tho a rave friend's been getting me into a couple newer (or at least newer to me) producers and i'm coming back around on the genre. can anybody rec anything like effin, inzo, adventure club, newer jykl & hide, or newer san holo? real vibey, pretty sounding, "pop a xanax and nod your head on the couch" type stuff

Seen all these people live it’s the same gimmick

-alleycvt
-level up
- levity
-Subtronics

80% their fan base can not name at least, 3 people from Never say die, Disciple or OWSLA.

This is all clout driven and what’s popular, I miss the good ole days when DJs just played on the decks and let the visuals do all the talking.

There is like 10 other bedroom producers that sound insane to what’s on these lineups.

I just commented on another post about artists that you used to love but no longer make music & I thought of K-NINE, an amazing producer with a sound that still holds up to this day but his last track was released in 2020, anyone know what happened to him??

From mythical flute solos to haunting 140 tracks, the full 60 minute mix of Requiem Witch at the FCTRY is out now only on YouTube.

I know that there are plenty of ids or flips of this song out there but I can’t seem to find the one that’s stuck in my head it’s more of like a jungle or 140 type vibe or tempo for the song I’m thinking of almost like clozee or widdler???
(Sample is “woman” -beenie man ) but this is a dnb version.
I’m looking for something w deeper base and slower tempo

Pls help
It’s been in my head for days

Wishing yall a beautiful Tuesday! just released my fourth EP from my LIFELINE compilation which has been going on for a few months now!!! would love to hear yalls thoughts about it :))) released on bandcamp, soundcloud and subvert

First attempt at brostep

What happened to this guy and why does nearly all of his music mostly since 2020 and from now usually just sounds like slop and too similar, don't get me wrong the guy is a decent producer in terms of quality and sound design talent which is what I mostly liked him for prior 2020, his skill, flow and uniqueness with certain genre defying tracks which is usually what hooks me into a new or cool artist but now nearly all of his newer releases just sound like the generic repetitive Riddim and heavy Dubstep in general likely being pumped out only for profit or exclusively to maintain the popularity and consistency of streams but I also noticed that this guy is way more nonchalant than ever on social media and apparently a piece of shit behind the scenes according to some but anyway who else shares this sentiment?