Hi everyone!

Back when I first got a Switch, I ended up buying To The Moon in a sale. I loved the story a lot and recently replayed it (still love it!). That’s how I found out about Finding Paradise. Needless to say, I bought it (full price) as I really wanted to play it.
However, I’m having major glitches. At first I thought it was part of the story (the glitch story doesn’t help). Right now I’m at the concert (I want to do the spoiler thing but I don’t know how it works and Reddit doesn’t show me). In any case, the glitches I experienced so far:

- Randomly switched from English to Chinese/Mandarin mid convo.
- The conversations overlap.
- The conversations get out of the box.
- The conversations just skip altogether.
- Suddenly not being able to move (and having to close and reload the game).
- Not being able to click when a “!” appears.
- The blue orb ball is not always there.
- Once it skipped the entire process of activating the memento (the second clock one). The mini game did show. I clicked “a” and normally you have the blue orb, mini game and then you jump. Now I clicked, it asked me immediately if I wanted to jump and before I could even do anything, the puzzle appeared. When finished it immediately launched me into what looked like halfway through a cutscene in a concert building.

Are these things normal? And if not, is there any way to contact anyone about this and maybe get my money back? €12,- is a little bit too much for a game that keeps glitching so often. I feel like I’m missing half the story line, as conversations overlap or skip very very often…

"Oh ok, River is autistic.....

.

...

.....

........oh no"

(I apologize for this long winded post lol) I saw a recommendation on another sub that To the Moon is a masterpiece for people navigating heavy grief. I’m about 5 hours into it right now, playing curled up on my Legion Go, and I just had to pause and come here to show my appreciation.

I lost my dad the week of my 25th birthday. He was an incredible guy, but he was dealt a mind bogglingly unfair hand in life. His last years were consumed by a brutal chronic illness and a completely unfair battle with addiction that basically hijacked his brain. Because of how chaotic it was, I’ve spent the last six years carrying so much anger, frustration, and guilt. I’ve wished so badly that I could go back in time and just show him more patience and grace at the very end.

Watching the doctors travel backward through Johnny's mind is hitting me so incredibly hard. It is such a beautiful, painful reminder that the messy end of someone's life isn't their whole story. Seeing them piece together the why behind Johnny's life is actually helping me look at my own dad's life with more peace, and remember the man he was before the sickness took over. It is just so profoundly cathartic. We're all flawed, of course, but I am so lucky to have had him, even if it was for just a little bit of time. I miss him literally every day.

If anyone else out there is dealing with the complicated grief of losing a parent, this game is something else entirely. I just wanted to share this here and say thank you to the community.

[Warnings: long text, spoilers from the whole series, please note English is not my first language]

So the trailer for the last game of Kang Gao has been released. I am a long-time Kingdom Hearts fan, and if there's one thing we do in the KH fandom, is analyzing over and over new trailers. And since this one has caught me eyes from a long series of reasons, here I am to analyse all over the trailer, trying to find something important.

I will go by timestamp if you want to follow me more accurately. Be sure to lower the video's speed because some sequences last a few frames; there is a passage that I was forced to go on 0.25x to see what was going on!

00:00-00:11: It begins with one of the last moments of To The Moon, not sure if there is a specific reason or not, followed by a presentation. Then the words "comes a heartwarming story of" appear.

00:12-00:14: The trailer suddendly glitching with static; the words are replaced with "comes..." . Likely suggesting that something is "comes", or maybe that the phrase was replaced with something that is not a heartwarming story. Another static glitch generally drops the video.

I want to point out that the "energetic" part of the trailers, with all the screens from the games, starts after that static.

00:17: We see the protagonists, who are clearly a fantasy version of Eva, Neil, Robert and Roxanne. Neil has the "Saint Seiya-like" armour of Finding Paradise, and Roxanne is a magical levitating cat. They are playing a real-life version of a whack-a-mole game - that is clearly a reference to To The Moon.

I want to pinpoint how the graphics here are on a next level. We are no longer in RPG Maker visuals; this is a full-fledged high-quality pixel art style!

00:19: The party is surfing on the sea (Eva is surfing on Neil!!). That is a reference to The Beach Episode.

00:22: The four protagonists are skiing. This time is nothing we've seen before in the series.

00:24: Okay, here there is a LOT to say, because we see what is the screen of a boss fight. In order:

1. In the lower-left corner we see four icons: a sword, a couple of four-spiked stars, two arms in an arm wrestling match, and a book. While the first two probably are physical and magic attacks, I cannot think of the other two. Maybe there is a distinction between attacking with a weapon and attacking with bare hands? And what about the book? It is strange to have a lore option or maybe even a save/load option on a battle screen.
2. At the bottom of the screen, we see the images of the four protagonists. They all have 100 health points, and in the supposedly mana points, although Eva has only half of them remaining. Curiously, the four mana point bars are different. Neil has a regular one, Robert is divided into six parts, Roxanne has a lot of bullets, and Eva a lot of carrots.

I want to point out that while Eva has a sillier armour respect to the other three: she is wearing a giant garden slipper as a hat, his weapon is a rake, and his magic is, as I said, represented with carrots. I didn't immediately realise why this, but then I saw what it is referring to: Eva's desire to have a garden after quitting her job. I am not sure if there is also something referencing Roxanne being a levitating cat (no, I don't think that she is a furry).

3) The trailer shows Robert make a couple of insanely high damage (999999, we are at the levels of Expedition 33!) to a boss that seemed to fight in a couple with another boss. I tried to figure out what they are supposed to represent.

On the right, a seemingly female figure with an 1800/first 1900 rose-purple dress, that has as a weapon a giant music note. THEORY: it looks like a representation of Sofia Reeds, the wife of Colin Reeds from Finding Paradise; the pattern colour of the vest is similar, and there is a clear reference to the music

On the left, a male figure with a face that seems like the dog of Undertale, the head caged in a pillory and some screens around it. THEORY: a representation of the machinery of Sigmund to connect with patients' memories. Or it could be a reference to Colin Reeds, pairing with the supposed representation of Sofia, but I cannot see no direct references in the figure.

00:26: Okay, now FOUR scenes have just some frames; I had to put the trailer on 0.25 x to see them

1. Another screen fight, this time against a couple of spiked platypus - if you remove the spikes, it is a reference to To The Moon. Eva - which again has only half health and half mana while the other are full - launches a magic attack that is a sort of tacos with bunny ears. I am not sure if it is a reference to something; I swear it is familiar, but I cannot connect where.
2. Another screen fight against a couple of monstrous cellos - this time it is a reference to Colin Reeds from Finding Paradise. Eva, who again is halved in health and mana, has launched another magic, but it is not clear what it is; we see only puffs of smoke.
3. We see Eva and Neil in their usual robes on a restaurant terrace, with a view of the twilight on the sea, the two of them alone with a lot of suitcases near them. Probably they are in the hotel of the Beach Episode.
4. Okay, this one really lasts a couple of frames! We are in a hospital, and we see what the supposed younger version of Eva and Neil (Eva has the ponytail haircut). Neil is on the hospital bed, probably due to his malady, with Eva on his side.

00:27-00:28: We have come back to the fantasy scenario; this time seems like a scripted sequence. We see a giant rat (no idea what the reference is) in an armour that is approached by a wagon dragged manually by Neil, with Eva on top of it. The scene is interrupted when the wagon is facing the rat.

00:32-00:40: There is a moving picture of the party that is approaching a tower, with a strange cascade of light from the top, and it has a sort of black hole on the top. At 00:38, there is another glitch coinciding with thunder, revealing what looks like a headless four-winged figure. THEORY: First, I was thinking about Fanya, because her final form in Finding Paradise has four wings, but this figure seemes to much different from that. Maybe a glitched/corrupted version of the Impostor Factory simulation's Fanya?

00:43: Another boss fight screen, and Eva again has life and mana halved, launching a rocket cob as a magic attack. There are two bosses. On the right, a male figure with a hammer and a handheld sander. THEORY: it could be a representation of Johnny Wyles from To The Moon (they are representing him working on the house near the lighthouse).

On the left, there is a female figure that has the body of a siren, a crowned head and on the back has a massive representation of moon phases, with the new moon on the top in a special spot. I have no idea what it should be representing; I thought about River since she is paired with the supposed representation of Johnny, but I cannot see why she should be represented in this way.

00:45-00:47: We see the party entering a battle with another boss; this time Eva is full on life and mana. It seems the final boss, since they are on a tower, supposedly the one seen before the trailer. The boss is a female figure, with the body made of some kind of plants with roots that are on some earth at the centre of the tower, which has a huge hole. I cannot see any reference to someone; we see only that the battle begins with her targeting Neil with a magic attack.

00:50-00:53: Although it is separated, I think it is the direct continuation of the previous scenes. The boss makes an attack that summons some shards from the moon itself.

1:03: Here we can see a clear and full title screen. We see the party on the left, and we can see that Robert fights with bare hands while Roxanne has a giant machine gun - hence the bullets, I suppose. On the right, we see a long bridge to an island with giant spikes and, in the centre, the tower, which seems more like a giant distorted plant with a building on top of it.

THEORY: Can be a lighthouse, considering also the light? A reference to To The Moon's lighthouse?

We also see the giant figure of what is like the last boss we have seen, that holds a crescent moon in her hand.

1:06-1:08: We see a light that progressively enlightens the party, and after that another static glitch like the one at 00:14

And as the first static started the "energetic" part of the trailer, the second one stopped it

1:12-1:24: Okay, now there is a lot to say

1. We see Eva in her bed, with the light of the sun entering from the window. Clearly it is the same light as on 1:06-1:08.
2. At 1:16 we see that in her hand there is a sort of device with three buttons, labelled "Rec", "SN01" and "SN02". I sincerely have no idea what they are supposed to do. Eva is constantly clicking on the "SN01" button.
3. A message arrived, and from 1:21 we can see a lot of information. First of all, there are a lot of ones! They are the 11:11 of 1st November, and it is a Tuesday. That is a reference to the original release date of To The Moon, which was on the 1st November of 2011, which was a Tuesday. Fun fact, this also means that the scene on the trailer is happening in one of the following years: 2033, 2039, 2044, 2050, 2061, 2067, 2072, 2078, 2089 or 2095!
4. There is a message from an unsaved contact, asking her, "Are you going to finish the game, Eva?" THEORY: Probably is the digitalised version of Neil that somehow was able to communicate with the phone.

1:27-1:30: Another static glitch, followed by the title of the game, followed by another static glitch that partially changes the title in "The Last Hour of To The Moon". THEORY: This will be the last game of the "To the Moon series"

GENERAL THEORY ON THE TRAILER: What are we gonna play?

I think that we will play an RPG that, in-lore, was created by Neil. This justifies the party and the enemies that are references to both To The Moon and Finding Paradise (I haven't spotted a reference to Impostor Factory). What we see in the last moment of the trailer is Eva still coping with Neil's death, playing what is supposedly another gift for her, maybe an evolution from the "To the Moon" videogame that we play in Sigmund Minisode 1.

Probably "SN01" is a way to repeat the game; maybe it is a save state of something like that. You see, okay, Kan Gao games are short, but I don't think that the game will last just an hour as the trailer tries to convince us. I think that we indeed play the last hour of an RPG, but we will loop it again and again, likely with variations among the loops, because we are playing as Eva, who probably doesn't finish because finishing the game probably will vanish the last digital trace of Neil.

This is why I think this is the finale of the To the Moon series: alongside Eva, we will do a sort of recapitulation of all the events of the series, helping her cope with Neil's death, and the finale will be her finally being able to finish the game, detaching from Neil's machine and going with her life.

Got to the credits and thought I was done..

OMG T_T

I have just finished the game, and it hits so hard, harder than any other game I've played.......So I might just share a little bit of a personal thought here while I am still feeling a bit emotional.

The whole story really resonated with me cuz.......I feel like Faye to Colin is just like my past self to me......who has been there for me, encouraging and supporting me through all the ups and downs of the past.....even when nobody else was, even when nobody else could understand the messy feeling and thoughts in my head......

It's probably also why I started writing music at the very beginning. Sometimes I don't know how to describe or express my thoughts, so I just use music to capture that vague feeling.....and send it to the future self.....and it kinda works......I still feel that emotion when I listen back to those tracks....

I don't know......I guess I’m just feeling a bit grateful to my past self for not giving up on myself and for making it this far.....

I wanted to since a while! After making it at changing the language to english from japanese that i picked by mistake 🤣

What am I up for?

Edit. Soo I finished the game about an hour ago. Beautiful ✌️ the characters were fun, the environment were cool, pixel art on point 👌 music too. And the ending left me such a bittersweet feeling. I think I'm about to buy all their stuff on Steam cause I'm curious about their other works!

Probably the biggest art I made in a while

Made some price comparison in CAD about the To the Moon series. Thought I'd share it, maybe it'll be useful.

Some Notes:
First total is without taxes.
Second total include both provincial taxes (TVQ Quebec) and federal Taxes (TPS/GST)
The last total include only federal taxes

I designed it on TapStitch. It’s my new favorite shirt lmao.

Hey, my roommate and I are playing this game for the first time, and it appears that our version of the game is bugged in the library scene when we're solving the Book memento. I've looked at walkthroughs and video playthroughs of this scene, and every solution shows row 4/column 3 filled in, but it is always blank for us. We have tried resetting the game, reloading our saves, and uninstalling/reinstalling the game, and we still have had no luck.

​

If anyone here has experienced this same problem, please let us know any solutions. Mods, updates, etc.

Agh, I wish I could draw like that and not depend on AI

In the dinner memory, Nicolas says to John and River "You had your wedding at that lighthouse near there all those years ago, didn't you?"

John responds: "That's not all that's special about it. We have a long history with that place."

What is John thinking about if he doesn't understand the original significance of it? Unless I'm forgetting something the earliest memory (chronologically from John's perspective) that takes place at the lighthouse is the wedding. Are the other things that make it special just them visiting it repeatedly over the years before deciding to build there?

Clip of the specific memory: https://youtu.be/I-4OeYw77n4?si=d4wPiDA5FZ5hiIvu&t=50

Regardless incredible game :)

Hi all,

I cannot express truly how much this game series means to me. I have played each game through multiple times and cannot believe we are nearing the end of the series.

I wanted to put together something to show my appreciation for this series so I have created a crossword on To The Moon. I plan to make one for each of the games in the series. Please give it a go if you fancy! Although there are spoilers for the first game so beware.

https://crosshare.org/crosswords/wDGWRgCBxzUozJjlZD6G/to-the-moon

Hope you enjoy!!

WARNING: spoilers everywhere, loooong text, English is not my first language

Apparently, the Mirror Lied has no connection with the series of To the Moon. The fandom wiki tells me that it is just the second work of Freebird Games, nothing to share with the following works.

And yet, today I listen the complete soundtrack of Finding Paradise and Impostor Factory. Well, in both of them there is the track "The Mirror Lied", which is the only theme present in the game. But not only, in Impostor Factory there is another track called Twenty-Six Past Three. Since I played The Mirror Lied after IF, I didn't realise that... but there is an actual connection.

In IF, this is a reference in ACT I. If you interact with the pendulum clock in the entrance, at some point Quincy will say that there are exactly Twenty-six Past Three. An oddly specific time. But the fact is that it is not the only game where this happens. And yes, I am talking about The Mirror Lied.

In the game, you are constantly hearing the sound of the pendulum of the various pendulum clocks in the manor. However, despite the game wants the player to feel the passage of time, there is no an in-game timer and everything is going on with events triggered by the players. However, in one of the mysterious phone calling that the player receives during the gameplay, one will inform they about the exact time: 3:26. Twenty-six Past Three. To make things even more cryptic, in both of the games this information is apparently pure random. It is an useless information that gives no hints and no story.

Now, I could think only to a simple reference but... the title track in two video games, and an event with relative track in IF, to me feel very unlike to be only a general reference.

Furthermore, the Beach episode. Now, probably as many of you, I was confused about the quantities of NPCs with specific designs and game, apparently come from nothing, only to discover that they are from Quintessence, the very first game of Freebird Games. Now, I know that it is likely an hint to a remake of the game, or the fact that some of them will show in the future RPS, but I have found very odd that while there are those characters... there is not a trace of Leah, The Mirror Lied's protagonist. Why put all those references to a game that you cannot download from the developer's site, but don't insert a single NPC from another game that it is on Steam, it is visible from the website and furthermore has all the references above?

I didn't even mention the birds. What birds? Well, Freebird games has a bird in the logo, there is Faye which is a projection of the bird Colin befriended in his youth, and someone said the raven in Beach episode is somehow related to Lunair, the protagonist of Quintessence that has a not specified importance in the Beach simulation. Well, there is another bird. "Birdie", the mysterious bird of The Mirror Lied, killed at the end of the game which is not even clear what it means. Can be really a coincidence that all three projects - Quintessence, The Mirror Lied, To the Moon series - have a female character connected to a bird? And again, why Leah and Birdie are not in the Beach episode, even for a reference?

I don't know what to think about it, I feel like that there is something that I miss. Maybe there are more references in To the Moon and Finding Paradise that I've missed? Or maybe there will be cleared in the future RPG?

ALERT: Spoilers everywhere, looooong text, English is not my first language

I don't remember the first time that I heard about To The Moon. Surely, it was years and years ago. Destiny, or curiosity, brought me to play the game nearly a month ago. Everything was amazing. I felt really bound to River, since I am autistic too and men if I relied with a lot of scene with her, probably more than the actual main story.

Everything beautiful, and then I discovered that To the Moon was just the beginning. The last scene after the credits, discovering that it was a trilogy. And a couple of research after, discovering that there was an actual world of spin-offs and comics. I've immediately bought the anniversary bundle on Steam and enjoyed the ride.

First, the two Minisodas, which now I should play again to understand them, now that I know the meaning of the mysterious last scene of Minisoda 2. Then, it came A Bird Story. Only one hour, but men if it was one of the most interesting gaming experiences in my life. No words, all meanings.

After them, Finding Paradise. I thought that To The Moon could be a prime video game story followed by two decent ones. Never thought that I would find this game even better. I relied so much on Colin and its relationship with Faye. I have found myself in a parallelism with the relationship with my roleplay muses (I am monbond/souldbond with them) and men if I was emotionally invested in the scene of Faye's farewell.

Probably for those two personal emotional connections, I was not so invested in the third episode, Impostor Factory. The first hour has puzzled me, with those creepy vibes that I have not understood the sense. But when Act II began, I felt back home and I have also enjoyed that. All the sequence about the choice of the fake Lynra about her and her baby was as heavy as beautiful. And I swear that until the last istant the game got me with the revealing of Quincy and Linry as the parents of Neil.

Now, it is not a part of To the Moon series, but before the Beach episode I played The Mirror Lied. A creepy and enigmatic game, with unsettling vibes, and yet interesting. If you have not played it, give it a try, it is shorter than A Bird Story.

Unfortunately, I could have not avoid completely spoilers. So before playing the Beach episode, I knew about the twist finale about Neil's death. I could say that along the episode there are lot of hints that you are in a simulation, I just knew since the moment I saw Linry in the airport that it was a simulation. I swear that I didn't understand it was serious, I thought it was the classic "beach/comic" spin-off. Furthermore, I discovered that a lot of characters from the episode are from the very first work of Freebird games, Quintessence - The Blighted Venom, which I will try to play olthought it is not in the developer's page.

And now, here I am, waiting for that RPGs that it is supposed to be the series finale. And I just realised from the comments and the time stamps that what for me was a journey of a few weeks, for many of you it was for years. I just realised to be entered just in time to witness the end of it. But as someone say, the point is not the end, it is the voyage (I know it is not the proper quote, but I have played with the Italian translation).

What a journey!

I've played impostor factory years ago. Needless to say it shattered my heart into a million pieces. I kind of knew Neil was dying ever since the first game, it was a popular fan theory, but fuck. The beach episode was still in development. Since it takes a lot of time from one game to another, I kind of just just let myself forget about it. For some reason, yesterday it triggered that the beach episode probably came out, and it did. I watched the gameplay yesterday, and I'm writing this in the middle of work. I was bawling my eyes out yesterday, and I'm just thinking HOW AM I SUPPOSED TO WORK WHEN NEIL IS DEAD. I haven't felt like this since that character in JJKdied.

Please I need to talk to someone, i'm going through something

I did this edit of them ages ago, I think this song matches them so much

https://vt.tiktok.com/ZSx9BXAbF/

I need y'all to talk to me, whenever I'm grieving something I look at the edits and the fan arts but this game is not nearly enough as well known as it should be

What do y'all think? What are you feeling? What are your favorite parts of the game ? Are there any details you think people missed? What do you think the next game will be about?What are your theories? Your favorite edits, fan arts, fanfiction. Literally anything please I just need to talk to someone i'm crying

Also does anyone knows someone that did a good recap of the story till the beach episode? I've been playing these series for more than a decade so naturally I forgot some details

Either way, sorry I just needed to vent 🥺

Lynri and Quincy had a baby, so of course I let him be Tobias. He came out already looking like him, aside from not having glasses. I just tweaked his hair style after he grew up and added the glasses. Since Neil is already on my island, and already registered as Lynri and Quincy's son, he's also automatically listed as Tobias's older brother 🤔

Spoiler alert of course, I'll talk about the end.
I'll start by saying I really enjoyed the game. The music, the structure, the way you peel back layers of a life in reverse — it's genuinely moving. 

But when the credits rolled, something felt off. 

The game builds something so rare and honest in its first two thirds: an imperfect love story and an imperfect story to say the least. A man carrying an invisible wound — a dead twin brother, a mother (who must have felt incredibly guilty) who confused them and kinda mistreat him, a childhood trauma buried so deep he doesn't even know it's there. A marriage to a woman whose love is fierce but expressed in a language he can't read. River folding paper rabbits for years, desperately trying to tell him something he'll never understand.

That's devastating. And it's devastating because it's true — not in the literal sense, but emotionally true. People go through life misreading each other. Love doesn't always translate. Some wounds don't heal. That's the story the game is telling, and it's telling it beautifully.

And then it flinches.

Instead of helping John, Eva rewrites history. The brother is alive again. River shows up at NASA. Johnny goes to the moon. He dies with a fabricated life playing in his head like a feel-good movie. Roll credits, everyone cries….but… 

Here's what gnaws at me: the game had everything it needed for a braver, more powerful ending.

When you finally reach the hidden memories — the fair, the twin brother, the rabbit on the moon — that's the « best part of the game ». Not because it's sad, but because it illuminates. Suddenly you understand why Johnny wanted to go to the moon. It was never about space. It was about the moon rabbit, the bridge to the story of his brother, the memory his mother's grief and the beta-blockers stole from him.

And the paper rabbits? River wasn't losing herself to some autistic obsession. She was trying to bring him back to himself and give meaning to his wounds. The blue rabbit with the yellow belly — that was her way of saying: remember. Remember who you were. Remember that night at the carnival. Remember your brother. Remember us.

She was literally trying to take him to the « moon ». This moon (the rabbit’s belly). Not the real one.

What if, instead of rewriting his life, Eva and Watts had …built bridges? Had they help John see that his mother's confusion and pain and guilt, had they helped him understand that River's silence wasn't indifference but the most devoted, patient act of love she was capable of. He would have got to the moon and back, and wouldn’t have want to go there for real.

That would have mean: your mother’s behavior, your wife’s obsession, it wasn’t your fault, you were not guilty, your life was imperfect but you were loved

Repair the story. Give meaning to it.

John's life was tragic. His brother died. His mother was broken. His wife couldn't reach him in the way he needed. He didn't always understand, and he wasn't always happy. But he was loved — stubbornly, silently, in folded paper and starlit cliffs.

That should be enough to let a man die in peace. Not "going to the moon." But finally understanding what the moon meant.

And...I think the writers knew this. The debate between Eva and Neil is right there in the game — Neil says the ending is what matters, Eva says only the happy moments count.

But there's a third option neither of them considers: that reading the events truthfully and in a meaningful way is what matters. Not a rewritten truth. Not a comfortable one. The actual, painful, but luminous truth of a life lived imperfectly but not unloved.

The game reaches for that truth in its best moments.
And it felt like then the writers get scared and hands you a fantasy instead.

I really thought for a moment that the game would tell this story at the moment they were having a hard time « injecting » the moon idea…for a reason (that he never « really » wanted to go to the actual moon). But…no.

I still love To the Moon. But I can't help feeling that « the story it almost told » was better than the one it chose to tell.

FIS paid $43 billion for Worldpay in 2019 the largest fintech deal ever. Spent the next three years telling investors the integration was on track. Then in six months:

August 2022 → CFO resigns → -7% November 2022 → Merchant Solutions margins collapse → -29% in one session February 2023 → $17.6B goodwill impairment + CEO out → -12%

Over 40% of market cap gone across three events. Same underlying problem each time.

A $210M settlement reached on December 2025.

Deadline: May 28, 2026. Next Thursday. You should submit a claim before that date.

Eligible if you held $FIS between May 7, 2020 and February 10, 2023. Payout: ~$0.42/share.

Hope this info helps!