Music is subjective, don't hate if you don't agree.. please :)
I've been an AC fan since probably 09, I remember the Pitchfork hype and was all in, quickly buying up everything. I remember buying the STGSTV/Danse Manatee 2CD set at the mall (!) and grabbing ODDSAC on it's release day from Best Buy (!!). And coming from a Beach Boys fanboy first perspective, I was hooked on the harmonies and fell in love with Panda most of all. I hold Person Pitch above most other recorded music (next to SMiLE & Pet Sounds). Hell, Noah even looks a little like the young Brian. Anyways, this is all to establish my bona-fides as a fan before I share my unpopular opinions.
I don't really like Sinister Grift. I think it sounds great and his voice is wonderful, but I get nauseas when I listen to the album. I'm serious. It's a physical thing and I think it's conditioned from when I first heard it, which is too bad. The melodies annoy me and I don't know why! I wish I loved it like you guys. However, the last 3 tracks are peak Panda Bear for me. Left in the Cold & Elegy are two of my all time favorites; they give me the spine tingling feels. Maybe when he drops a live album I'll like it more. I couldn't go to the show I had tickets for the SG tour because I was in rehab. Shucks, might have clicked if I had. Sober now, 9 months today!
PBVTGR is definitive in my book (considering Person Pitch is with the gods, never to be equaled). But my favorite song from this album isn't on the album. Faces in the Crowd is my favorite from this period, from the Mr Noah EP. This tour was fucking intense. The sub bass that he added and the psychedelic flourishes on each track plus the transitions sent me to another dimension and I have yet to experience a live sound like that again. (saw him in Asheville, NC on that tour)
Buoys is an all time great. It's impossible to rank AC & PB, but I listen to this one constantly. It's his most consistent album. Not sure why it's not more beloved. I did find the tour prior to this album's release that featured Buoys and Homies tracks was a bit boring compared to the Reaper tour.
Sonic Boom's production is so good and saved Tomboy from being a flat mess. He brought the same echoed and psyched out production to MGMT's second (and best) album too. I saw Panda when he was working on Tomboy, and was dropping singles. He was great, and punishingly loud. He asked every fan a question with his drones, and he sang louder than I've ever heard - it was intense and the singles sounded great live. I remember being on the CollectedAnimals forums though when Pete Kember, Sonic, first latched on to PB. He was so reverent about Noah's voice. He wrote effusively and poetically about it on the boards, and answered questions about being asked to produce and bring an album together. Noah had some great ideas, but the songs were so skeletal that it needed something, and Sonic brought that something. When Tomboy dropped, it was a revelation! The springy sounds on the title track, the cavernous echo, it all worked so well. And then they gave us the Box Set with all of it!! What a great period for PB. I have bought every Sonic Boom production since. My least favorite of his work lately has been his solo albums and, honestly, the tracks that are most influence by him on Reset.
And finally, it's not unpopular I don't think, but I love ? of When immensely. And the sirens on the title track are great and not the least bit annoying or distracting. Just my opinion. They come up so predictably that I couldn't mistake them for real ones. The album is so much slower than I expected, trance-like. Graveyard is so good it's almost out of place. They would have said if it were, but it sounds like a leftover from the spirit of Reset. The dub version of Reset is the best version.
And there you have it. Thanks for reading. These are just my opinion and yours are equally valid!!!