When Neal Adams sparked the "New Look," every Batman artist at DC was forced to adapt or get left behind. But of everyone who stepped up to the plate, Jim Aparo was the absolute best of the group. If Neal Adams was the undisputed king of the Bronze Age Batman transformation, Aparo was running right behind him, tugging at his heels.
Fresh off defining runs on Aquaman and Phantom Stranger, Aparo brought that heavy, shadowy, House of Mystery gothic style vibe straight into Gotham. He was a perfect match for Batman, first taking on the character inside the pages of The Brave and the Bold.
Aparo's art was the secret weapon that made Bob Haney’s episodic, zany scripts work. Haney put the Dark Knight in every wild environment imaginable, and Aparo's visual grounding anchored it all. He single-handedly laid the groundwork for the 1970s superhero team-up format, inspiring books like DC Comics Presents, Marvel Team-Up, and Marvel Two-in-One.
Aparo didn't only stick to Brave and the Bold for Batman in the 1970s, either. He drew the first two issues of Archie Goodwin’s defining run on Detective Comics (#437–438), and he penciled, inked, and lettered the first three issues of Len Wein’s "Bat-Murderer!" story in Detective Comics #444–446 as well. Beyond that, he routinely penciled, inked, AND hand-lettered full issues entirely by himself—a total one-man production line.
Adams gave Batman his modern spark, but Jim Aparo gave the Bronze Age its soul.