​

https://on.soundcloud.com/dlrg3uuKdRUX6wziU4

A little improvisation based on the poetry of Misuzu Kaneko. I play with one hand because of my cerebral palsy.

Do you have glasses...

A broomstick...

Seven-League Boots?

In musical terms, one might picture a five-meter-long trumpet or—its opposite—a guitar with a ten-centimeter neck.

Here, we have a harpsichord that evokes a sense of augmentation by multiplying its signal with other timbres.

#BACH

Inst.

https://open.spotify.com/artist/02fjEKYRLC2XhQrTKLJy3d?si=FdjB4iQBQ_mLuqVnv1tkig

Quite a provocative composition. Curious if anyone agrees?

Glitch.

Hey everyone,

​I’ve been messing around with a weird exercise lately and wanted to see if anyone else has tried something similar, or wants to give it a shot.

​Basically, I spent a session improvising with one goal: try to play as "wrong" as possible. Every time I felt my fingers drifting toward a familiar shape, a clean chord resolution, or a scale pattern my muscle memory wanted to fall into, I forced myself to turn the opposite way. Maximum dissonance, intentionally awkward intervals, and trying to stack as many "wrong" polyphonic notes as I could manage without letting it resolve. Atonal.

​The weird thing is, after listening back, it didn’t just sound like random noise, it created this really strange, unexpected kind of musical logic that actually felt interesting. At least to me.

​I uploaded a audio track of my attempt here: https://voca.ro/13CQ7d8VEub8

​I want to turn this into a bit of a loose experiment. If you play guitar, try taking 2 or 3 minutes to improvise while actively sabotaging your instincts. Play too many notes, pick the "worst" harmonies, fight your muscle memory, and upload it.

​Curious to hear what happens when other people try to force their hands to do the exact opposite of what feels natural. Drop a link if you decide to record a run!

Glitch, instrumental.

This isn’t background music. It’s for the people fighting silent battles, chasing purpose, questioning everything, and refusing to quit. Raw storytelling, sharp lyricism, and records built to be felt long after the last track ends.
If you’ve ever had to lose yourself to find yourself, this album is for you ⚔️ [https://www.instagram.com/reel/Datk92CNZ3S/?igsh=MTc4MW9yeXdobGQ4cw==\](https://www.instagram.com/reel/Datk92CNZ3S/?igsh=MTc4MW9yeXdobGQ4cw==)

Eastern ambient.

Chiptune, inst.

MANAKEN (Sax) and MIKAKA (Vocal, Guitar) collide in this high-energy Avant-Punk session. This is more than just free jazz; it's a spiritual explosion of unpredictable improvisation from the Hiroshima underground, recorded on May 24, 2026!

Do you feel the raw energy and "Heat" that smashes through genre boundaries?

https://www.youtube.com/watch?v=fYwnUsdnlV4

Derek Dunn and I collaborate on seven different instrument combinations. Each one played live, improvised, and all performances completed same day. Thank You.

Hello everyone,

I’m a composer from Georgia working in contemporary classical and free improvisation.

My latest release, Modern Forms of Beauty, is based on recordings and musical ideas I created in 2015. Rather than revising them years later, I reconstructed and documented them as they originally emerged.

One question has stayed with me throughout the process:
At what point does an improvisation become a composition?

I’d genuinely love to hear how other composers and listeners think about this relationship.

If anyone is curious, here’s the album:

Youtube

Spotify

Radiodellaconcia-rock: an independent, free, and amateur web radio station. The best rock, nu metal, indie, and post-punk music straight from Via Concia in Crevalcore. 🎵 Blog: www.radiodellaconcia-rock.it Link: https://cast4.asurahosting.com:2199/start/claudio

Instrumental.

Ambient.

Craft 07 - EP - Siamak Amidi. #minimal #house #techno